Ka haehaea ki te kiri o te tangata, o te wahine, tārere ana te toto, ngā tohu o tā te Māori whakaputanga i te aroha (TP 4/1910:7). / The skin of men and women is lacerated and blood flows copiously, the Māori symbols of the expression of affection.

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Ka rere a Whānui ka tīmata te hauhake i ngā kai; te potonga o ngā kai ka mahia ngā mahi a Ruhanui, koia ēnei: ko te tūperepere, ko te tōreherehe, ko te kai whakatāpaepae, ko te kokomo, ko te tūmahana, ko te kaihaukai, ko te haka, ko te poi, ko te whakahoro taratahi, ko te tā pōtaka, ko te pōtēteke, ko te taupiripiri, ko te mū tōrere, a te whai, a te pānokonoko, o te tararī, a te kīkīporo, a te pākuru, a te tārere, a te kūī, a te kūrapakara, a te rere moari, me ērā atu mea katoa (TWMNT 11/9/1872:110). / When Vega rose the harvesting of the food began; and when that was done the activities of Ruhanui were carried out, which were these: the ceremony and feast to celebrate the storing of the kūmara crop, tobogganing, the displaying of food, the exchanging of gifts between hosts and visitors, feasting and presenting food, performing haka and poi, flying kites, whipping spinning tops, doing somersaults, racing arm in arm, playing draughts, performing string games, playing the pānokonoko string game, playing the jew's harp, beating the time to songs with pieces of wood held against the cheek, playing the mouth resonator, swinging, calling kūī, playing kūrapakara, swinging on the moari, and all those other games.

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